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This Picture Shows The Caged Bird Represented

Sympathy
by Paul Laurence Dunbar

Analytical Paragraph

        In “Sympathy”, Paul Laurence Dunbar relates the many problems in his life to the problems of an entrapped bird.  In the poem Dunbar shows the bird in the cage while wonderful things happen all around it.  He illustrates how the sun is bright and the wind is whispering softly, but the bird is unable to enjoy the beautiful weather due to its cage.  The difficulties he has encountered in life are shown in these lines: “And a pain still throbs in the old, old scars/ And they pulse again with a keener sting”. In this, the bird is not actually symbolizing Paul Laurence Dunbar, for he continues to claim how he can sympathize with the bird, yet it has his same problems, Dunbar’s cage being the racism that he constantly faced during his time period. In this point in his life, Dunbar was finding that it was impossible to find any job that could be considered meaningful or of importance, or any job that paid even averagely. He was an elevator boy at this point, and his main way of venting his frustration against a discriminatory world was through poetry. By using brilliant imagery and stinging emotion, Dunbar shows us how racism is imprisoning his soul.

 

 
I know what the caged bird feels, alas!
   When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
   When the first bird sings and the first bud opens,
And the faint perfume from its chalice steals--
I know what the caged bird feels!
 
I know why the caged bird beats its wing
   Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
   And a pain still throbs in the old, old scars
And they pulse again with a keener sting--
I know why he beats his wing!
 
I know why the caged bird sings, ah me,
   When his wing is bruised and his bosom sore,--
When he beats his bars and he would be free;
It is not a carol of joy or glee,
   But a prayer that he sends from his heart's deep core,
But a plea, that upward to Heaven he flings--

I know why the caged bird sings.

 

 

This poem is about a music teacher and a young black girl. The music teacher is trying to teach the young black girl how to read music and sing, yet throughout the poem it is apparent that the young black girl is able to sing, though the white music teacher is not. I chose this poem because it is considered one of Paul Laurence Dunbar's best black vernacular poems.

When Malindy Sings
by Paul Laurence Dunbar

G'WAY an' quit dat noise, Miss Lucy --
          Put dat music book away;
What's de use to keep on tryin'?
          Ef you practise twell you're gray,
You cain't sta't no notes a-flyin'
          Lak de ones dat rants and rings
F'om de kitchen to be big woods
          When Malindy sings.

You ain't got de nachel o'gans
          Fu' to make de soun' come right,
You ain't got de tu'ns an' twistin's
          Fu' to make it sweet an' light.
Tell you one thing now, Miss Lucy,
          An' I'm tellin' you fu' true,
When hit comes to raal right singin',
          'T ain't no easy thing to do.

Easy 'nough fu' folks to hollah,
          Lookin' at de lines an' dots,
When dey ain't no one kin sence it,
          An' de chune comes in, in spots;
But fu' real melojous music,
          Dat jes' strikes yo' hea't and clings,
Jes' you stan' an' listen wif me
          When Malindy sings.

Ain't you nevah hyeahd Malindy?
          Blessed soul, tek up de cross!
Look hyeah, ain't you jokin', honey?
          Well, you don't know whut you los'.
Y' ought to hyeah dat gal a-wa'blin',
          Robins, la'ks, an' all dem things,
Heish dey moufs an' hides dey faces
          When Malindy sings.

Fiddlin' man jes' stop his fiddlin',
          Lay his fiddle on de she'f;
Mockin'-bird quit tryin' to whistle,
          'Cause he jes' so shamed hisse'f.
Folks a-playin' on de banjo
          Draps dey fingahs on de strings--
Bless yo' soul--fu'gits to move em,
          When Malindy sings.

She jes' spreads huh mouf and hollahs,
          "Come to Jesus," twell you hyeah
Sinnahs' tremblin' steps and voices,
          Timid-lak a-drawin' neah;
Den she tu'ns to "Rock of Ages,"
          Simply to de cross she clings,
An' you fin' yo' teahs a-drappin'
          When Malindy sings.

Who dat says dat humble praises
          Wif de Master nevah counts?
Heish yo' mouf, I hyeah dat music,
          Ez hit rises up an' mounts--
Floatin' by de hills an' valleys,
          Way above dis buryin' sod,
Ez hit makes its way in glory
          To de very gates of God!

Oh, hit's sweetah dan de music
          Of an edicated band;
An' hit's dearah dan de battle's
          Song o' triumph in de lan'.
It seems holier dan evenin'
          When de solemn chu'ch bell rings,
Ez I sit an' ca'mly listen
          While Malindy sings.

Towsah, stop dat ba'kin', hyeah me!
          Mandy, mek dat chile keep still;
Don't you hyeah de echoes callin'
          F'om de valley to de hill?
Let me listen, I can hyeah it,
          Th'oo de bresh of angels' wings,
Sof' an' sweet, "Swing Low, Sweet Chariot,"
          Ez Malindy sings.
 

 

The Colored Soldiers
by Paul Laurence Dunbar

IF the muse were mine to tempt it
And my feeble voice were strong,
If my tongue were trained to measures,
I would sing a stirring song.
I would sing a song heroic
Of those noble sons of Ham,
Of the gallant colored soldiers
Who fought for Uncle Sam!
In the early days you scorned them, And with many a flip and flout
Said "These battles are the white man's, And the whites will fight them out." Up the hills you fought and faltered, In the vales you strove and bled, While your ears still heard the thunder Of the foes' advancing tread.
Then distress fell on the nation,
And the flag was drooping low;
Should the dust pollute your banner? No! the nation shouted, No!
So when War, in savage triumph,
Spread abroad his funeral pall --
Then you called the colored soldiers, And they answered to your call.
And like hounds unleashed and eager For the life blood of the prey,
Spring they forth and bore them bravely
In the thickest of the fray.
And where'er the fight was hottest, Where the bullets fastest fell,
There they pressed unblanched and fearless
 At the very mouth of hell.
Ah, they rallied to the standard
To uphold it by their might;
None were stronger in the labors,
None were braver in the fight.
From the blazing breach of Wagner
To the plains of Olustee,
They were foremost in the fight
Of the battles of the free.
And at Pillow! God have mercy
On the deeds committed there,
And the souls of those poor victims
Sent to Thee without a prayer.
Let the fulness of Thy pity
O'er the hot wrought spirits sway
Of the gallant colored soldiers
Who fell fighting on that day!
Yes, the Blacks enjoy their freedom,
And they won it dearly, too;
For the life blood of their thousands Did the southern fields bedew.
In the darkness of their bondage,
In the depths of slavery's night,
Their muskets flashed the dawning,
And they fought their way to light.
They were comrades then and brothers. Are they more or less to-day?
They were good to stop a bullet
And to front the fearful fray.
They were citizens and soldiers,
When rebellion raised its head;
And the traits that made them worthy,-Ah! those virtues are not dead.
They have shared your nightly vigils, They have shared your daily toil;
And their blood with yours commingling Has enriched the Southern soil.
They have slept and marched and suffered 'Neath the same dark skies as you, They have
et as fierce a foeman,
And have been as brave and true.
And their deeds shall find a record
In the registry of Fame;
For their blood has cleansed completely Every blot of Slavery's shame.
So all honor and all glory
To those noble sons of Ham –
The gallant colored soldiers
Who fought for Uncle Sam!

 

THE POET
by Paul Laurence Dunbar

He sang of life, serenely sweet,
With, now and then, a deeper note.
From some high peak, nigh yet remote,
He voiced the world's absorbing beat.

He sang of love when earth was young,
And Love, itself, was in his lays.
But, ah, the world, it turned to praise
A jingle in a broken tongue.

 

 

 

This poem is a simply a gathering of Dunbar's contemplations of what the world would be like without the human emotions of suffering and love. As he creates a world lacking those emotions, he realizes what a horror it would be, and then exclaims that he believes love and suffering are extremely necessary.  I chose this poem because I liked how he used words I wouldn't think of using to describe something, and how he makes something so simple sound extraordinary.

If
by Paul Laurence Dunbar

IF life were but a dream, my Love,
And death the waking time;
If day had not a beam, my Love,
And night had not a rhyme, --
A barren, barren world were this
Without one saving gleam;
I'd only ask that with a kiss
You'd wake me from the dream.

If dreaming were the sum of days,
And loving were the bane;
If battling for a wreath of bays
Could soothe a heart in pain, --
I'd scorn the meed of battle's might,
All other aims above
I'd choose the human's higher right,
To suffer and to love!